FEMAIL’s methodology of remotely exchanging collage and garments yet working in tandem has been coined reactive collaboration. There is no communication about the intention or direction of a given piece; both artists are allowed to make additions and subtractions based on their own will and vision.

refigural - femail forever

All text and clothing courtesy Femail

Photography Michelle Uzomba

Styling Mitch McGuire

Model Anna Peluola

I had a dream a while ago that I had a baby in my parents house in my old room. In the dream I had a French bulldog that I used for instagram pictures but kept it in the attic until I needed it. in the dream everyone was telling me I’d be a horrible...

I had a dream a while ago that I had a baby in my parents house in my old room. In the dream I had a French bulldog that I used for instagram pictures but kept it in the attic until I needed it. in the dream everyone was telling me I’d be a horrible mum because I was so mean to the French bulldog. Then I had the baby and when he came out he was an old man, and he winked at me.

refigural - instant empathy

Photography Fujio Emura

Styling and Creative Direction Ashley Munns

Beauty Elizabeth Fox

Models Janita, Allison, Erinee at Scout Agency, Brenton, Heather, and Sarah

All uncredited clothing courtesy American Conservatory Theater

All text anonymously sourced by refigural

Fashion is a second skin; in context of the body, fashion can be a multitude of things. It can be a weapon against the outside world. It can be a text book definition, a mode of stereotype. It can mark you as a slave to something. It can be camouflage or a cry of protest. For FEMAIL fashion is a conversation; it is a facet of friendship. It is a shape shifting expression of creativity and means through which to explore and experience the world at large. It is a collage of space and time. It is alive.

refigural - femail forever

All text and clothing courtesy Femail

Photography Michelle Uzomba

Styling Mitch McGuire

Model Anna Peluola

The baby was born too early so was soft and malleable like clay and had no face. So I tried to reform the baby by hand but I kind of forgot what babies are supposed to look like. Gradually I saw more and more other children and realised that I completely missed the mark on my baby moulding.

refigural - instant empathy

Photography Fujio Emura

Styling and Creative Direction Ashley Munns

Beauty Elizabeth Fox

Models Janita, Allison, Erinee at Scout Agency, Brenton, Heather, and Sarah

All uncredited clothing courtesy American Conservatory Theater

All text anonymously sourced by refigural